Posts Tagged ‘1990s’

1990s Revival: Secret Chiefs 3 – Second Grand Constitution and Bylaws: Hurqalya (c1998)


15 Aug

Secret Chiefs 3 (SC3) are in a category all of their own as far as comparisons go. You couldn’t even compare them to Mr Bungle; which is kind of strange because the main man in SC3 – Trey Spruance – is in fact the guitarist/keyboardist with the legendary freaks themselves… Mr Bungle, that is.

Anyway, I guess if I had to go to extremes I would say that SC3 are the same as Mr Bungle in the sense that the song structures can often end up just as chaotic, but that is about it. here you have distorted, demented surf songs, classic eastern-cum-western songs and downright stupidly fantastic aural noisescapes. Wow, that was a mouthful!

Even though I am a huge Bungle fan, I would have to say that my favourite track on Second Grand… is the opening number, ‘The Rose Garden of Mystery’ because it was the most coherent. The artwork is whacky. Just imagine Bungle’s Disco Volante and add more colour. What you’re left with is SC3! Wonderful.

If you’re asking yourself, who the hell is this Trey Spruance guy anyway, or for that matter ‘Who is Mr Bungle’, then the answer is as such: Spruance actually played the guitar parts on Faith No More‘s King for a Day album, but left saying that he wasn’t going to be able to handle the touring commitments. So, then you get the connection between Trey and FNM and in turn, Mr Bungle (whose ranks include FNM’s Mike Patton). Talk about six degrees of separation!

If whacky music is what’s on your agenda, then SC3 and their album Second Grand Constitution and By Laws: Hurqalya is for you. Get it now.

3/5

(NOTE: These reviews were originally published in 27twelve: a ‘zine originating in Newcastle Australia in the late 1990s. They’re being published onto the internet now more as a matter of record and whimsical self interest than for any other reason and should be considered as such. Check out the ’1990s’ category of the blog in the coming months for many more 1990s CD and live reviews.)

Coming Soon: 1990s Music Revival


12 Aug

The 1990s: what an amazing time for music and Hosking Industries was there. Well, Ben Hosking was, anyway (is it weird talking about one’s self in the third person?). I’ve talked briefly about my old ‘zine 27twelve on this blog before, way back when I still found myself with some spare time. I reviewed about 10 CDs in that little ‘zine each month, as well as running interviews and live reviews of the acts at the time.

I also wrote for Newcastle, Australia music press outlet ‘concretepress‘. It was in the more traditional tabloid newspaper format and fed music and arts news to the Hunter region. Both publications pre-dated the internet age and due to my computer at the time not having the storage space to house my hundreds of reviews and other documents, today I find myself with only A4 paper print outs of them.

I got to thinking the other day that it could be cool to type up each of these reviews and post them on this blog as a way of remembering this special time in my life and in the life of the music business. A time before the industry crashed and so many new genres were being created as opposed to simply rehashing old ones.

So, over the coming weeks and months I’ll be endeavouring to type up as many of the old reviews as  I can, including gig reviews; creating a new ’1990s’ section of the blog so you can find them all easily. I’d love to hear your thoughts not only about the idea, but also hear your memories of the 1990s (if you were old enough to enjoy them).

Stay tuned!

Loving the '90s Revival


05 Mar

My most formative years occured during the 1990s. There’s almost nothing about them that I don’t look back on fondly.

The music was awesome (I’m listening to Soundgarden’s Badmotorfinger right now), I was either in high school, playing in bands, partying hard or at the beach and I still had that residual sense of indestructibility – that feeling that there was so much more ahead and that the end was too far off to even fathom.

While one has to wonder how many more defunct bands could possibly come out of the woodwork and reform, it’s been nice to see bands like Faith No More, Alice in Chains, Cold, and even the return of Dave Ellefson to the Megadeth camp eventuate. If we’re really lucky, it looks like John Bush will make a permanent return to Anthrax as well. On top of all that, we’ve been treated to ‘classic’ ’90s TV, like Heartbreak High each night on ABC3 and daily repeats of Seinfeld, Frasier and a stack of others.

Even the dreaded fashion industry has tried to inject the odd bit of ’90s fashion into recent lines.

But wasn’t it just the other day that we were experiencing and loving the 1990s? It only feels like a moment ago for me… most of the time. Sometimes it feels like three lifetimes ago.

In some ways it is kind of sad that we’re going to soon reach the point where music from the ’90s starts appearing in classic rock magazines and finding itself broadcast onto radio and music video channels for the middle aged, like those ‘retro’ ’80s programmes. That will surely make me feel old. But if you ask me, there hasn’t been anything as earth shaking as the ’90s since. Sure, we had the end of the nu-metal period in the early 2000s, but that was a flash in the pan against such movements as the birth of alternative, the tail end of thrash and the grunge period that was big enough to wipe out hair metal and shred.

Oh what a monumental movement was grunge. It took the world by surprise and grabbed the youth of the planet by the scruff of its new flannel shirt and gave it an almighty shake. It spoke to the kids of every culture in a way that the grandiose nature of rock never could. It’s constituents spoke of fucked up childhoods, broken homes and life’s misadventures in a way that reverberated with teens everywhere – and they listened.

You can’t tell me that new wave did that for anyone, or nu-metal after. Arena rock was too busy singing about getting laid and sinking beers or snorting coke off of hooker’s arses to be relevant to the massive fan base that was the 13 to 30 year olds. It was an inevitable revolution of culture that has lad lasting effects. It was the modern iteration of the blues for a younger audience that spoke of hardship, depression and being trodden on by ‘the man’.

I fucking miss those days. They were fun, exciting and will stay with me forever.

Sadly, it wouldn’t matter an iota if the rock world turned around tomorrow and decided to orchestrate a renaissance of the ’90s. It’s done. It happened. It can’t be replicated. Just like so many attempts at reviving the ’80s have failed to capture that feeling and spirit, only to flood the market place with ugly sunglasses and flouro t-shirts; no one can replicate the experience of the 1990s.

As much as I’d love to jump aboard a time machine and relive them, I can’t. Anyone who tries is simply embarking upon a foolhardy endeavour bound for failure or trying to cash in on the nostalgia fad that has engulfed the scene over the last 5-7 years.

It doesn’t mean I’m not out there digging up all my old ’90s CDs and reminiscing! Ahh, warm, golden memories of times gone by.